Zombies, Gods and Voodoo

by John Winn
© Buzzy Multimedia

They come out of the grave, products of the Devil, witchcraft or experiments gone horribly wrong, stalking us as a hound stalks its prey until no one is immune from their quest for brains or souls. The fear of zombies is so engrained in us that they have been immortalized in movies and popular culture dating back several decades. Yet the reality is zombies–or at least the zombie myth–has been around much longer. In fact, they are said to predate organized religion itself. Though the origin of the zombie myth is as murky as ancient tales of old, scholars and novelists have been mining the depths of recorded knowledge, inspired by the mystery surrounding these strange beings.

According to experts of the zombie myth, their origins–like many supernatural beings-date back to colonial Haiti. As Wade Davis notes, many of the black slaves who resettled on the island nation worshipped a god from an area near the modern-day Niger-Congo border, Damballah Wedo. While Damballah held no sway over matters of life and death, he was a sort of ferryman of the underworld, helping to ease the newly dead into the afterlife. It is from his name that the word zombie originates, and though the exact origin of the zombie myth is unknown, it is strongly suspected that there is a link between Haitian Vodau beliefs and the primitive animist beliefs of their free ancestors.

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As their French captors observed their strange religion–which would later become the belief system we recognize today as voodoo–they noticed that one of their more bizarre practices (from the French POV) involved raising individuals from the dead, presumably as slaves themselves. However, very few written records appeared to have survived. In 1937, author and folklorist Zora Naele Hurston traveled to Haiti to interview a family whose daughter supposedly became prey to zombie-like behavior via the dark arts. While she did not find any hard evidence that anyone tried to manipulate Felicia-Felix Manor, she did uncover circumstantial evidence that neurotoxins may have been used, a theory which would be followed up on by paranormal investigator and ethnobiologist Wade Davis.

Necromancy, to be sure, has a large role in the zombie myth. Long before the white man ever set foot in Haiti, to say nothing of Africa, humans have been summoning spirits from beyond this world, either for good or evil. In some cases-as with the Haitians-individuals have dug up graves and recited rites to the gods in an effort to bring back the dead, either as a way of combating death itself or an attempt to conjure mindless free labor. Such shamanistic practices would have horrified Westerners, who only understood resurrection in the context of Christ’s death and ascent into Heaven. Naturally, the bias against pagan religion worked its way into the modern zombie myth, and eventually film, as noble white men and women were depicted as fending off hordes of undead representing the “Other”.

Today, zombie films and novels from George Romero’s “Land of the Dead” to David Wellington’s “Monster Nation” carry little if any of these racially and ethnically charged connotations. They are more date movies than anything else, meant to scare and provoke couples into cuddling up, if only out of an artificial sense of fear. Ironically, the film that comes closest to portraying the truth about zombies–and the zombie myth–did not premiere in the thirty some odd years between 1970 and the present. In 1937′s “White Zombie”, not only did the two protagonists stumble into the world of voodoo, only to become enslaved to it-as well as their own, narrow minded points of view of the often contradictory island.

John Winn
Staff Writer / Buzzy Multimedia (Sci-Fi & Fantasy Audiobooks — Funny T-Shirts)

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